Judith Hill

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Achingly personal lyrics paired with muscular funk, soul, and blues, and backed by her shredding, soaring guitar.

—New York Times

Stellar powerhouse vocals.

—Rolling Stone

Anyone who’s followed Judith Hill’s story will recognize Letters from a Black Widow as a jaw-dropping album title for her most recent release. The tabloid-coined epithet “black widow” arose after the overdose deaths of Hill’s two star-making collaborators, Michael Jackson and Prince. It became a term of abuse that internet trolls hurled at the celebrated artist, driving conspiracy theories and shame campaigns—trauma that nearly ended a career that includes a Grammy for her role in the Oscar-winning documentary film 20 Feet from Stardom. But a year into the COVID-19 pandemic, Hill had time and space for a momentous reckoning. If Hill’s previous album, Baby, I’m Hollywood (2021), was the rowdy coming-of-age tale of a mixed-race child of bohemian California, Letters from a Black Widow is a formidable battle cry—an album-length soul-funk-gospel passion play.

Hill’s critically acclaimed 2015 debut full-length solo album, Back in Time, was produced and recorded in collaboration with Prince. Hill also appeared on the fourth season of the hit TV show The Voice, was selected to duet with Michael Jackson on his This Is It concerts, and was drafted as direct support on arena tours for both John Legend and Josh Groban.