Presenting Sponsor:
The most extraordinary and sought-after string instruments from iconic European makers.
- November 8, 2024–September 14, 2025
The Stradivarius and the Golden Age of Violins and Guitars catalog is available for purchase at the Museum Store or online at theMIMstore.org.
Exclusively at MIM
Superior Craftsmanship. Enduring Excellence.
Trace the story of European string instruments across centuries. See magnificent instruments from Andrea Amati, the founding father of the violin; Antonio Stradivari, who is almost universally recognized as the greatest violin maker in history; and Giuseppe Guarneri “del Gesù,” who ranks alongside Stradivari as one of the world’s most extraordinary violin makers.
Left: This violin, made by Andrea Amati in the 1560s, is one of only 23 documented surviving Amati instruments.
Renowned Artistry. A Rare Opportunity.
Experience the sights and sounds of some of the world’s rarest string instruments—such as one of the earliest six-string guitars and possibly the only surviving 18th-century Italian mute violin—through original video content featuring contemporary virtuosos. The once-in-a-lifetime exhibition includes loans from private collectors that have never been publicly displayed and can only be seen at MIM.
Right: This mandolino coristo is one of two surviving Stradivarius mandolins. In the exhibition, it is displayed with its original case.
Featured Pieces
“Tartini” violin by Antonio Stradivari, 1726
This magnificent violin by the great Cremonese master comes from late in his golden period, when he made his most renowned instruments.
Private Collection
Guitar from the school of Matteo Sellas, 1625
This Venetian guitar is embellished with ivory, ebony, tortoiseshell, and pearl, and it has a tiered “wedding cake” rose, a common feature of guitars until the mid-18th century. Loan courtesy of Austin-Marie Collection
Violin by Bartolomeo Giuseppe Guarneri “del Gesù,” 1728
This important violin dates to the early period of Guarneri’s independence, displaying the influence of his father’s training but also his personal style. Loan courtesy of Beare Violins Ltd
Guitar by Alexandre Voboam, 1652
Fewer than 30 guitars signed by members of the Voboam family survive today; this is one of three guitars made by Alexandre Voboam in 1652. Loan courtesy of Austin-Marie Collection
Violin bow by Nicolas Rémy Maire, 1845
This exquisite bow’s frog—the movable part on the handle that holds the hair and slides back when the bow is tightened—is fully lined with silver and abalone shell. Loan courtesy of Kenneth Warren & Son, Ltd.
Chitarriglia by Joachim Tielke, 1684
This lavishly decorated small guitar was made to be tuned higher than the conventionally sized baroque guitar. Loan courtesy of Austin-Marie Collection
Thank you to our generous donors
Presenting sponsor U.S. Bank
U.S. Bank
Sponsored By
John & Joan D’Addario Foundation
Terri & Jerry Kohl
Mary Ann & John Mangels
Supported By
Beare Violins Ltd
Lucia Renshaw & Bruce Covill
Robertson & Sons Violin Shop, Inc.
Robert A. & Carol J. Wolfe
Carole & Alan Zeichick
Additional Support By
Elizabeth Biaett & Gary Dickey
Babette & Richard Burns
FOCUS on European Art
Carolyn & John Friedman
Michael & Susan Hooley
Christine Lindley
Phyllis & Arthur Soben
Hao and Michelle Wang Foundation
Jan & David Wood
Banner image:
Left: Private Collection /
Photograph by Claudio Mazzolari—Linea Tre
Right: Loan courtesy of Austin-Marie Collection
Violin:
MIM Collection /
Gift of the Robert J. Ulrich and Diane Sillik Fund
Mandolino coristo:
Loan courtesy of Beare Violins Ltd /
Photo by Hiroko Umezawa
Carousel:
1: Private Collection /
Photograph by Claudio Mazzolari—Linea Tre
2: Loan courtesy of Austin-Marie Collection
3: Loan courtesy of Beare Violins Ltd /
Photo by Hiroko Umezawa
4: Loan courtesy of Austin-Marie Collection
5: Loan courtesy of Kenneth Warren & Son, Ltd.
6: Loan courtesy of Austin-Marie Collection
Contextual painting:
Still Life with Musical Instruments,
Bartolomeo Battera, c. 1680s /
Photo courtesy of
Sarah Campbell Blaffer Foundation, Houston