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Hailed as one of the most vital standard-bearers of modern African music, Fatoumata Diawara takes her artistry to fresh and thrilling heights on her new album Fenfo.
Boldly experimental yet respectful of her roots, it’s a record that defines her as the voice of young African womanhood—proud of her heritage but with a vision that looks confidently to the future and a message that is universal.
Her spectacular 2011 debut album, Fatou, made the Malian singer and guitarist the most talked about new African artist in the world. Fenfo (which translates as “something to say”) dramatically fulfils that promise on a set of vivid and original new compositions that draw on the rich experiences she has enjoyed since.
“I’ve had so many different musical adventures since the last album, touring and working with so many other musicians and I think you can hear how all of that feeds into this record,” she says. “This is my time and I’m sharing my soul.”
Those she has worked with include some of the biggest names in contemporary music. She recorded with Bobby Womack and Herbie Hancock, played Glastonbury and other major festivals, and toured with the Cuban pianist Roberto Fonseca. She assembled a West African supergroup featuring Amadou and Mariam, Oumou Sangaré, and Toumani Diabaté to record a song calling for peace in her troubled homeland. She climbed aboard Damon Albarn’s star-studded Africa Express, which culminated in her sharing a stage with Sir Paul McCartney.
She projects her strong, simple songs with effortless poise.
A rising new star from Mali, she has the most gorgeous voice, a fantastic sense of melody and her guitar playing fuses spare blues, folk and funk. Go see her.
Malian newcomer Fatoumata Diawara looks set for major stardom.